سؤال: فلوت باروک - جرمن

[hichnafar]

سلام
بین فلوت باروک و جرمن به جز نحوه انگشت گذاری فرق دیگه ای هم وحود داره ؟(صدا و...)

[billy_the_kid]

Plz narrow down your question, if you take a look at the following link you might get an in-depth analysis about Baroque Flute:


You can see links before reply (Remarks on tone, fingering, tuning, and trills


Now in a nutshell:

Medieval (You can see links before reply) flutes (including German Flutes) (1000-1400)

Throughout the 11th, 12th and 13th centuries, transverse flutes were very uncommon in Europe, with the recorder (You can see links before reply) being more prominent. The transverse flute arrived in Europe from Asia, via the Byzantine Empire (You can see links before reply), where it migrated to Germany (You can see links before reply) and France (You can see links before reply). These flutes became known as "German flutes", to distinguish them from others, such as the recorder.[2] (You can see links before reply_note-1#cite_note-1) The flute became used in court music, along with the viol (You can see links before reply), and was used in secular music (You can see links before reply), although only in France and Germany. It would not spread to the rest of Europe for nearly a century. The first literary appearance of the transverse flute was made in 1285, by Adenet le Roi (You can see links before reply) in a list of instruments he played. After this, a period of 70 years ensues, where there are few references to the flute.

Baroque Flute

During the 16th and early 17th centuries in Europe, the transverse flute was available in several different sizes, in effect forming a consort (You can see links before reply) much in the same way that recorders and other instrument families were used in consorts. At this stage, the transverse flute was usually made in one section (or two for the larger sizes) and had a cylindrical bore. As a result, this flute had a rather soft sound and limited range, and was used primarily in compositions for the "soft consort".
During the Baroque period, the transverse flute was re-designed. Now often called the traverso (from the Italian), it was made in three or four sections, or joints, with a conical bore from the head joint down. The conical bore design gave the instrument a wider range and a more penetrating sound, without sacrificing the softer, expressive qualities of the instrument. In addition to chamber music, the traverso began to be used in orchestral music.
In the baroque era, flutes become used in the scores of opera (You can see links before reply), ballet (You can see links before reply) and chamber music. With this, composers now wrote music for the flute. These included Praetorius (You can see links before reply), Schütz, Rebillé and Descoteaux, Bach (You can see links before reply), Telemann (You can see links before reply), Blavet (You can see links before reply), Vivaldi (You can see links before reply) and Handel (You can see links before reply).